Number 18 - MARCH 2001
Paolo Pedersini, On the safety of art works in restoration workshops,
p.3
Carolina Cannizzaro Laura Franceschini, A fire in a restoration workshop (first case),
p.4
Matteo Rossi Doria, A fire in a restoration workshop (second case), p.9
Pietro Capone, Fire prevention in restoration workshops: the case of the Opificio
delle Pietre Dure in Florence, p.13
Carlo Timillero, Regulations and norms for fire prevention in restoration workshops,
p.20
Maria Gabriella Bonollo, Achille Gallarini, Lorenzo Appolonia, Restoration of the
Flügel Altar in the Issogne Castle in Valle d'Aosta. The diagnostic phase, p.35
Tiziana Ribezzi, Restoration of a noteworthy cabinet-on-stand, p.37
Paolo Fabris, Restoration of Guardi's and Fontebasso's paintings of the church in
Selva del Montello, p.43
Anna Pietropolli, Bibliographical update, p.46 |
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Number
19 - JUNE 2001
Angelo Mazza, On the restoration of the Brami Chapel in the Cathedral
of Reggio Emilia and on the finding of Sisto Badalocchio's paintings, p.3
Emanuela Bonaccini, Paolo Cremonesi, Preparation and use of chelate gels, reagents for
the cleaning of polychrome artefacts, p.11
Editorial, Ferrara and Restoration 2001: a winning match, p.22
Cristina Falsarella, Strategic plan for the "Museo della Battaglia" in
Vittorio Veneto: outlooks, targets, aims
one year later, p.24
Editorial, Bibliographical update, English contributions, p.27
Stefano Tosato, Bernardino Zendrini, official mathematician of the Serenissima, and
his project for the restoration of the Bassano Bridge (1722), p.30 |
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Number
20 - OCTOBER 2001
Renzo Fontana, The founding Act and the future scenarios (and dangers)
for management museum and Cultural Heritage, p.2
Angelo Mazza, Cardinal Toschi's Chapel in the Reggio Emilia Cathedral and its
restoration, p.4
Lucio Gasparri Lamera, On the restoration of the painting in the Capuchins' Friary in
Quarto (Genoa), p.14
Silvio Padoa, The school of Pietro da Cortona: the painting in the Capuchins' Friary
in Quarto (Genoa), p.20
Olimpia Miglio, New technologies: a precious instrument for the modern business,
p.26
Roberto Pini, Salvatore Siano, Renzo Salimbeni, Laser techniques in the world of
restoration: from basic research to the development of new devices, p. 29
Vanni Tiozzo, Reflections on restoration of Contemporary Art, p.40
Anna Pietropolli, Bibliographical update, p. 47 |
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Number
21 - JENUARY 2002
Editorial, Some reflections on "Progetto Restauro", p.3
D. Stulik, V. Dorge, H. Khandekar, A. de Tagle, D. Miller, R. Wolbers, J. Carlson, The
cleaning of surfaces: a quantitative study on residues of gel on clean painted surfaces,
p.4
Ornella Salvadori, On the characterisation of endolithic communities in stone
monuments and natural outcrops, p.15
Letizia Caselli, The Venetian-Byzantine mosaics and sculptures of the Provincial
Museum in Torcello. Studies and problems, p.22
Loreta Segato, Colour Plane: a working tool for the maintenance and the restoration of
the exterior building surfaces in historic city centres. The case of Monselice (Padua),
p.32
Editorial, The 5th Cultural Heritage and Heritages Activities
Exposition, p.39
Valentina Vieceli, On the value of historical memories.The outdooor Museum in Monte
Piana, p.40
Alberto Gottardo, The outdoor Historical Museum in Monte Piana, p.42
Anna Pietropolli, Bibliographical Update, p.47 |
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Number
22 - MARCH 2002
Renzo Fontana, Motorways: acoustic and visual impact, p.2
Raffaella Marotti, The conservative interventions on the scientific instruments in the
collection of the Physics Laboratory at the University of Urbino, p.4
Andrea Bassani, The repair of lacerations in cavans/textile supports using traction
and humidity, p.10
Davide Manzato, Capability of complex 3-D pattern software for research in the
conservation of historical-artistic heritage: the wooden choir (south stall) in the Udine
Cathedral , p.18
Marco Ferrero, Some remarks on churches with double apses: Liguria and south-west
Piedmont, p.26
Marco Dal Prą, Building automation for a land-mark building, p.33
Angelo Mazza, The exhibition of Alessandro Tiarini's works in Reggio Emilia. The
restoration of the paintings in the Church of San Giovanni Evangelista, p.38
Marco Sarti, Some notes on Alessandro Tiarini's pictorial
technique, p.44
Anna Pietropolli, Bibliographical update, p.48 |
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Number
23 - JUNE 2002
Enrico Vettore, Restorers: until when?, p.2
Raffaella Marotti, Queen Caroline of England's telescope (1821). Its history and its
restoration, p.5
Marco Cagna, Paintings on canvas. Report of a
critical restoration, p.10
Olimpia Niglio, The restoration project: cultural value and social question, p.18
Emma Calebich, The structural palimpsest. Exemplifications. The Vatican Cupola and the
Fabbriche Nove in Venice: opinions and interventions, p.22
C. Fiori, S. Belacchi, C. Mingazzini, D. Pinna, The restoration of the monument to
Fallen Soldiers in Ravenna, p.28
Imma Adrovar Gracia, Majorcan painting in the Trecento. Connections to Italian
painting of the same period, p.40
Anna Pietropolli, Bibliographical update, p.48 |
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